Clavinet D6 - Fuzz Pedal Comparison
Instrument: Hohner - Clavinet D6.
Effects pedals: Dunlop / Dallas Arbiter - '93 Fuzz Face (NKT-275), Fender - Blender (3-knob), Hudson Electronics, UK - Broadcast and Mojo Hand FX - Iron Bell.
Amplifier settings: The amplifier is set to very clean and pentode mode (15 watts). The signal is fed through the top boost preamp channel. Volume about 10 o'clock, Treble about 1 o'clock, Bass about 3 o'clock and Top cut about 8 o'clock.
Pedal settings: The settings for the fuzz pedals is the same in each example. The fuzz amount is set to maximum and output is set to approximately unity gain. The tone and colour pots for the Iron Bell are set to 12 o'clock. The selector switch on the Fender Blender is set to the first fuzz setting.
The fuzz pedals receive and send the same amount of signal as each other but the gain may vary inside the fuzz circuit. As you may hear the Fender Blender is a lot cleaner although the fuzz amount on each pedal is set to maximum.
The Clavinet is recorder with Whirlwind Direct2 DI box and re-amped with Radial X-Amp into a Vox AC15H1TV.
The amplifier is miced up with a Shure SM57 and a Sennheiser e 602-II.
On the intro I used the same setup, but with a Diamond - Memory Lane 2 and a VanAmps - Sole-Mate Jr. in line.
Instrument: Hohner - Clavinet D6.
Effects pedals: Dunlop / Dallas Arbiter - '93 Fuzz Face (NKT-275), Fender - Blender (3-knob), Hudson Electronics, UK - Broadcast and Mojo Hand FX - Iron Bell.
Amplifier settings: The amplifier is set to very clean and pentode mode (15 watts). The signal is fed through the top boost preamp channel. Volume about 10 o'clock, Treble about 1 o'clock, Bass about 3 o'clock and Top cut about 8 o'clock.
Pedal settings: The settings for the fuzz pedals is the same in each example. The fuzz amount is set to maximum and output is set to approximately unity gain. The tone and colour pots for the Iron Bell are set to 12 o'clock. The selector switch on the Fender Blender is set to the first fuzz setting.
The fuzz pedals receive and send the same amount of signal as each other but the gain may vary inside the fuzz circuit. As you may hear the Fender Blender is a lot cleaner although the fuzz amount on each pedal is set to maximum.
The Clavinet is recorder with Whirlwind Direct2 DI box and re-amped with Radial X-Amp into a Vox AC15H1TV.
The amplifier is miced up with a Shure SM57 and a Sennheiser e 602-II.
On the intro I used the same setup, but with a Diamond - Memory Lane 2 and a VanAmps - Sole-Mate Jr. in line.
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Korg MS-20 arpeggios with Logic and Korg SQ-1Benjamin Dehli
The arpeggios are MIDI notes in Logic and the Korg SQ-1 is used as a MIDI to CV converter. Effects used on the Korg MS-20: Electro Harmonix Deluxe Memory Man ...
Thomas Tveiten - Då E Det Verdt DetThomasTveiten
Recorded in Juke Joint Studio Lyrics and music: Thomas Tveiten Song: Då E Det Verdt Det Artist: Thomas Tveiten Album: Då E Det Verdt Det
Yamaha YC-25D with effects pedalsBenjamin Dehli
Yamaha YC-25D combo organ with Moog Minitaur Ladder Filter, Electro Harmonix Deluxe Memory Man Delay and Boss Chorus Ensemble (CE-1). The Minitaur filter is c...
Using a piano as reverb for the Korg MS-20Benjamin Dehli
Using the Louis Zwicki Pianette as a reverb effect for the Korg MS-20. The MS-20 is triggered by the Korg SQ-1 step sequencer.
Clavinet D6 SoloBenjamin Dehli
Recording a solo with the Hohner Clavinet D6. Effects pedals: Real McCoy Custom Picture Wah, Dunlop / Dallas Arbiter '93 Fuzz Face (NKT-275), Hudson Electroni...
Korg MS-20 ESP with guitarBenjamin Dehli
Korg MS-20 controlled by guitar with External Signal Processor (ESP) running through a Fender Twin Reverb Amp. VCO1: 1 Octave below guitar. VCO2: 1 Octave + 3...
Korg Polysix test runBenjamin Dehli
Quick test run of the Korg Polysix 😊
Logan / Hohner String Melody IIBenjamin Dehli
Testing the String Melody after some maintenance. The chords is from "A Saucerful of Secrets" by Pink Floyd. Signal path: Logan - String Melody II ➡️ TC Elect...
Fender Rhodes - Wet/Dry setup with rotary speaker and Twin ReverbBenjamin Dehli
Fender Rhodes with Fender Twin Reverb as dry/direct amp and Solton Dopplertone as wet/delay amp. Dry signal path: Fender Rhodes ➡️ Fulltone - True-Path ABY-ST...
Fender Rhodes and Korg MS-20Benjamin Dehli
I recorded a short live jam to tape with Korg MS-20 and Fender Rhodes MKI. VCO 2 on the MS-20 is sequenced by the Korg SQ-1 while VCO 1 is triggered by the ke...
Haunted By Silhouettes - DeadlockHaunted By Silhouettes
Song: Deadlock Artist: Haunted By Silhouettes Album: Deadlock
Guitar with synthesized delayBenjamin Dehli
Korg MS-20 copycatting the guitar 🐈 Dry signal path: Guitar ➡️ Fulltone True-Path ABY-ST (Input) ➡️ Fulltone True-Path ABY-ST (Output A) ➡️ Vox AC15H1TV Wet ...
Controlling delay pedal with guitarBenjamin Dehli
Controlling delay time of the Diamond Memory Lane with the the notes being played on the guitar. I'm using the VCA in the Korg MS-20 as an expression pedal. T...
Perpetual Pitch Shifting DelayBenjamin Dehli
Using the Fostex X-28H, Electro-Harmonix Deluxe Memory Man and Digitech Whammy to make an "endless" pitch shifted delay. Signal chain for instrument, mixer an...
Clavinet with BassballsBenjamin Dehli
Hohner Clavinet D6 with Electro-Harmonix Bassballs
Clavinet D6 - Fuzz Pedal ComparisonBenjamin Dehli
Instrument: Hohner - Clavinet D6. Effects pedals: Dunlop / Dallas Arbiter - '93 Fuzz Face (NKT-275), Fender - Blender (3-knob), Hudson Electronics, UK - Broad...
Clavinet D6 with 4 fuzz pedalsBenjamin Dehli
A short clip from an upcoming Clavinet fuzz comparison video. The Clavinet is recorded with a DI box, then re-amped four times with four different fuzz pedals...
Analog delay as "Whammy" pedalBenjamin Dehli
Equipment used: Fender Stratocaster, Diamond Memory Lane 2, Korg MS-20 and Vox AC15H1TV. The MS-20's VCA is used as an expression pedal for the Diamond Memory...
Setup for semi sequenced Korg MS-20Benjamin Dehli
This setup makes you play the VCO 1 while the VCO 2 is sequenced by the SQ-1. The SQ-1's clock speed is controlled by the MS-20's Modulation Generator. Settin...
Synth and Mellotron jamBenjamin Dehli
A short jam with Mellotron M4000D, Korg MS-20, Moog Minitaur, DSI Tetra and Korg SQ-1. Sorry for the bad camera work. It was difficult to record video and twe...
Korg MS-20 and Korg SQ-1 controlling each otherBenjamin Dehli
The MS-20's modulation generator sends pulse waves as sync signal to the SQ-1 and the SQ-1 sends gate signal and control voltage to VCO 2 on the MS-20.
Paraphonic Korg MS-20, Korg CX-3 and Solton DopplertoneBenjamin Dehli
Korg MS-20 controlled by Korg CX-3 with External Signal Processing (ESP) running through a Solton Dopplertone rotary speaker.
Paraphonic Korg MS-20 and CX-3 - External Signal Processing (ESP)Benjamin Dehli
Making the Korg MS-20 paraphonic by controlling the pitch of VCO 2 with the audio signal from the Korg CX-3.
Fostex X-28H with Korg MS-20 and Mellotron M4000DBenjamin Dehli
Testing the Fostex X-28H 4-track tape recorder with Korg MS-20 and Mellotron M4000D.
Music for a Found Harmonium (Cover) on a Yamaha L-20DBenjamin Dehli
Music for a Found Harmonium by Penguin Cafe Orchestra played on a Yamaha L-20D electric harmonium / reed organ. All the sounds is created with the organ and r...
Clavinet D6 with effects pedalsBenjamin Dehli
Instrument: Hohner - Clavinet D6 Effects pedals: Real McCoy Custom - Picture Wah, Electro Harmonix - Small Stone, TC Electronic - SCF Stereo Chorus Flanger, B...
Clavinet soloBenjamin Dehli
Clavinet solo on "Don't You Wanna Know?" with Set One's Cap live at Wrightegaarden in Langesund. Clavinet D6 with Real McCoy Picture Wah through a Vox AC15H1T...
Korg CX-3 (analog) with effects pedalsBenjamin Dehli
Here are sounds you can make with a Korg CX-3 and effects pedals. This video only demonstrate the versatility of the instrument in conjunction with effects pe...