Tried to make an intimate and kind of broken piano sound with the Wurlitzer 200A, contact mic, whammy pedal, tape echo and different effects 🛸 🦄
- The contact mic is mixed in with the internal pickup
- The high E notes is recorded in a separate take 🎹
- The whammy signal is mixed in with the original signal
- On the high E notes the whammy is only on the echoes
- The overdrive comes from a Fender Twin Reverb amp and a Hudson Broadcast pedal
- It's recorded through a Hairball Audio FET/RACK (1176) for some mild compression and coloration
- The amplifier is miced with a Shure SM-57 and a Royer R-121
- The reverb is a short/small room reverb from a Chase Bliss Audio & Meris CXM 1978
Instrument: Wurlitzer 200A.
Effects: DigiTech Whammy (5th Gen), Fulltone Tube Tape Echo, Hairball Audio FET/RACK Revision D, Hudson Electronics, UK Broadcast, Fulltone Supa-Trem and Chase Bliss Audio & Meris CXM 1978
Amplifier: Fender Twin Reverb.
Microphones: Shure SM-57 and Royer R-121.
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