Video: The Clavinet solo sound of "Kaasin - Hidden"
The different tracks that make up the Clavinet solo sound on the song Hidden.
The drums are played and recorded by Chris Brush.
The Clavinet is recorded with a DI-box once and then re-amped multiple times for the different tracks. The only effects used on the DI signal is a Real McCoy Custom Picture Wah on the last part of the solo.
The Clavinet solo sound consists of 6 tracks.
Track 1 & 2 (Fuzz): The DI-signal is re-amped two times with different fuzz pedals. A Fuzz Face and an Iron Bell. Both fuzz pedals is ran through a VanAmps Sole-Mate Jr. into a Vox AC15H1TV mic'd up with a Shure SM57. The two fuzz tracks is panned slightly(25%) to each side.
Track 3 (Punch): The DI-signal is ran through a VanAmps Sole-Mate Jr. into a Vox AC15H1TV mic'd up with a Shure SM57. The recorded track is then heavily compressed with CLA-76 (1176 plugin) and CLA-2A (LA-2A plugin). The CLA-76 has a pretty slow attack to accentuate the transients for more punch.
Track 4, 5 & 6 (Rotary effect): The DI-signal is ran through an Electro-Harmonix English Muff'n and a VanAmps Sole-Mate Jr. into a Solton Dopplertone rotary speaker. The upper horn is mic'd up with a stereo pair of Shure SM57 panned hard to each side and the lower rotor is mic'd up with a Sennheiser e 602-II.
Instrument: Hohner Clavinet D6.
Effects: Real McCoy Custom Picture Wah, Dunlop / Dallas Arbiter '93 Fuzz Face, Mojo Hand FX Iron Bell, Electro-Harmonix English Muff'n and VanAmps Sole-Mate Jr.
Amplifiers: Vox AC15H1TV and Solton Dopplertone.
Plugins: Waves Audio CLA-76 and Waves Audio CLA-2A.
The different tracks that make up the Clavinet solo sound on the song Hidden.
The drums are played and recorded by Chris Brush.
The Clavinet is recorded with a DI-box once and then re-amped multiple times for the different tracks. The only effects used on the DI signal is a Real McCoy Custom Picture Wah on the last part of the solo.
The Clavinet solo sound consists of 6 tracks.
Track 1 & 2 (Fuzz): The DI-signal is re-amped two times with different fuzz pedals. A Fuzz Face and an Iron Bell. Both fuzz pedals is ran through a VanAmps Sole-Mate Jr. into a Vox AC15H1TV mic'd up with a Shure SM57. The two fuzz tracks is panned slightly(25%) to each side.
Track 3 (Punch): The DI-signal is ran through a VanAmps Sole-Mate Jr. into a Vox AC15H1TV mic'd up with a Shure SM57. The recorded track is then heavily compressed with CLA-76 (1176 plugin) and CLA-2A (LA-2A plugin). The CLA-76 has a pretty slow attack to accentuate the transients for more punch.
Track 4, 5 & 6 (Rotary effect): The DI-signal is ran through an Electro-Harmonix English Muff'n and a VanAmps Sole-Mate Jr. into a Solton Dopplertone rotary speaker. The upper horn is mic'd up with a stereo pair of Shure SM57 panned hard to each side and the lower rotor is mic'd up with a Sennheiser e 602-II.
Instrument: Hohner Clavinet D6.
Effects: Real McCoy Custom Picture Wah, Dunlop / Dallas Arbiter '93 Fuzz Face, Mojo Hand FX Iron Bell, Electro-Harmonix English Muff'n and VanAmps Sole-Mate Jr.
Amplifiers: Vox AC15H1TV and Solton Dopplertone.
Plugins: Waves Audio CLA-76 and Waves Audio CLA-2A.